Teddy Swims’ “Lose Management” lifts to No. 1 on the Billboard Sizzling 100 songs chart. The singer-songwriter reigns along with his first profession entry on the rating.
Plus, making historical past, the music completes its ascent to the highest of the Sizzling 100 in its thirty second week – wrapping the longest run to No. 1, by weeks on the chart, for a title by a solo male within the record’s 65-year archives.
Moreover within the Sizzling 100’s prime 10, Cardi B’s “Sufficient (Miami)” debuts at No. 9, marking her twelfth prime 10.
The Sizzling 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and gross sales knowledge, the lattermost metric reflecting purchases of bodily singles and digital tracks from full-service digital music retailers; digital singles gross sales from direct-to-consumer (D2C) websites are excluded from chart calculations. All charts (dated March 30, 2024) will replace on Billboard.com tomorrow, March 26. For all chart information, you’ll be able to observe @billboard and @billboardcharts on each X, previously generally known as Twitter, and Instagram.
Luminate, the unbiased knowledge supplier to the Billboard charts, completes an intensive evaluation of all knowledge submissions utilized in compiling the weekly chart rankings. Luminate evaluations and authenticates knowledge. In partnership with Billboard, knowledge deemed suspicious or unverifiable is eliminated, utilizing established standards, earlier than ultimate chart calculations are made and printed.
“Lose Management,” on SWIMS Int./Warner Data, turns into the 1,167th No. 1 within the Sizzling 100’s historical past.
Right here’s a take a look at its coronation, in addition to the remainder of the newest Sizzling 100’s prime 10.
Airplay, streams & gross sales
“Lose Management” drew 59.1 million radio airplay viewers impressions (up 9%) and 23.2 million streams (down 2%) and bought 8,000 (down 34%) within the week ending March 21, in keeping with Luminate.
The only rises 5-3 on the Radio Songs chart; holds at No. 4, after reaching No. 3, on Streaming Songs; and falls to No. 6 after three nonconsecutive weeks atop Digital Music Gross sales.
The music spends a second week at No. 1 on the Grownup Pop Airplay chart. It rose to No. 2 on Grownup Different Airplay in January and ascends to the highest 5 (6-4) on Pop Airplay.
Two new variations of “Lose Management” arrived in the course of the monitoring week: a Tiësto remix (March 19) and a radio edit (March 21). They joined the beforehand accessible unique model; a cappella, instrumental, piano and strings variations; slowed down and sped up mixes; a BBC Radio 1 Stay Lounge Session recording; a reside model recorded at Nashville’s Ryman Auditorium, with Freak Freely; and a goddard. remix.
“Ache is paying the payments”
Teddy Swims, actual title Jaten Dimsdale, from Conyers, Ga., first appeared on Billboard’s charts in 2021, after he broke via with a viral cowl of Michael Jackson’s “Rock With You” in mid-2019. (He signed to Warner Data on Christmas Eve 2019.) As a co-writer, he topped the Nation Airplay chart by way of Thomas Rhett’s “Angels Don’t At all times Have Wings” for per week in September 2023.
“I’m tremendous grateful that particular person [broke my heart],” Teddy Swims not too long ago informed Billboard of the origin of “Lose Management.” “I feel it’s so nice to know that that ache is critical as a result of … ache is paying the payments nonetheless. I’m attempting to cease placing myself in positions to get damage, since you’ll all the time have to do this, however they are saying the perfect revenge is success.”
The music is from Teddy Swims’ debut full-length, I’ve Tried Every thing However Remedy (Half I). The set hit a No. 25 excessive on the March 16-dated Billboard 200 chart.
Of the LP’s title, he mused that remedy may “change the material of my being. It’s simply, like, my little tics and my little anxiousness that I’ve, my very own methods – which isn’t a proper technique to go about it. However … I’m snug in my existence.”
32 weeks to No. 1
“Lose Management” completes the longest climb to No. 1, by weeks on the chart, for a title by a solo male ever on the Sizzling 100. Total, it finishes the fifth-steadiest rise to the summit.
Most chart weeks to No. 1 on the Sizzling 100:
59, “Warmth Waves,” Glass Animals, reached No. 1 on the chart dated March 12, 2022
54, “Rockin’ Across the Christmas Tree,” Brenda Lee, Dec. 9, 2023
35, “All I Need for Christmas Is You,” Mariah Carey, Dec. 21, 2019
33, “Macarena (Bayside Boys Combine),” Los Del Rio, Aug. 3, 1996
32, “Lose Management,” Teddy Swims, March 30, 2024
31, “Die for You,” The Weeknd & Ariana Grande, March 11, 2023
31, “Amazed,” Lonestar, March 4, 2000
30, “All of Me,” John Legend, Might 17, 2014
No. 1 as a author
Teddy Swims scores his first Sizzling 100 No. 1 as a author, in addition to a recording artist. He co-penned “Lose Management” with Julian Bunetta, Notorious and Mikky Ekko – all of whom additionally lead the record for the primary time – and Josh Coleman, who beforehand topped the Sizzling 100 as a author of Katy Perry’s “E.T.,” that includes Ye (then generally known as Kanye West), for 5 weeks in 2011, and Ke$ha’s “We R Who We R,” for per week in 2010.
“When it was completed, I used to be exhibiting everyone earlier than the music got here out,” Teddy Swims informed Billboard of “Lose Management” final 12 months. “I simply felt that power, like, ‘That is lighting in a bottle.’ I knew this was going to vary my life.”
Warner at Nos. 1&2
As “Lose Management” leads the Sizzling 100, Benson Boone’s “Lovely Issues” rises from No. 3 to a brand new No. 2 excessive.
With each songs on Warner Data, the label lands the Sizzling 100’s prime two spots concurrently for the primary time because the chart dated April 6, 2013, when Macklemore & Ryan Lewis’ “Thrift Store,” that includes Wanz (on Macklemore/ADA/Warner [then Warner Bros.]), tallied its fifth of six weeks at No. 1 and Baauer’s “Harlem Shake” (on Jeffree’s Mad First rate/Warner) positioned at No. 2 following 5 weeks in cost. (Warner logged six weeks at Nos. 1 and a pair of concurrently due to these songs, with “Harlem Shake” on prime the prior 5 frames.)
‘Lose’ wins
“Lose Management” is the fourth music with the phrase “lose” in its title to emerge victorious on the Sizzling 100. The winners circle:
“Lose Management,” Teddy Swims, one week at No. 1 up to now, March 30, 2024
“Lose You To Love Me,” Selena Gomez, one week, Nov. 9, 2019
“Lose Your self,” Eminem, 12 weeks, starting Nov. 9, 2002
“Don’t Wanna Lose You,” Gloria Estefan, one week, Sept. 16, 1989
Plus, three songs with “misplaced” of their titles have triumphed on the Sizzling 100: “Misplaced in Your Eyes,” by Debbie Gibson (1989), “Misplaced in Emotion,” by Lisa Lisa and Cult Jam (1987) and “You’ve Misplaced That Lovin’ Feelin’,” by The Righteous Brothers (1965).
(In maybe an upset, no songs with “win” or “gained” have taken the Sizzling 100’s prime prize.)
Cardi B’s twelfth prime 10
Additionally notable within the Sizzling 100’s prime 10, Cardi B’s “Sufficient (Miami)” debuts at No. 9. Launched March 15, the music begins with 14.5 million streams, 8.8 million in radio viewers and 37,000 bought (because it opens as her seventh Digital Music Gross sales chief).
Cardi B notches her twelfth Sizzling 100 prime 10, and first on her personal since “Up,” which turned her fifth No. 1 in March 2021.
(305 in prime 10: Miami seems within the title of a Sizzling 100 prime 10 for a second time – Jan Hammer’s “Miami Vice Theme” sped to No. 1 for per week in 1985.)
Grande leads remainder of the highest 10
Elsewhere within the Sizzling 100’s prime 10, Ariana Grande’s “We Can’t Be Pals (Await Your Love)” drops to No. 3 per week after it soared in as her ninth No. 1. Nonetheless, it tops Streaming Songs for a second week (26.3 million, down 19%) and claims the Sizzling 100’s prime Airplay Gainer award (12.4 million, up 168%).
Ariana Grande’s ‘Everlasting Sunshine’ Spends Second Week at No. 1 on Billboard 200 Chart
03/25/2024
Jack Harlow’s “Lovin on Me” rebounds 5-4 on the Sizzling 100, following six nonconsecutive weeks at No. 1 starting final December, because it notches a tenth week atop the Radio Songs chart (73.9 million, down 2%). It provides a fifteenth week every atop the Sizzling R&B/Hip-Hop Songs and Sizzling Rap Songs charts, which use the identical multimetric methodology because the Sizzling 100.
“Carnival,” by Ye and Ty Dolla $ign and that includes Wealthy the Child and Playboi Carti, falls 4-5 on the Sizzling 100 after per week at No. 1 two weeks earlier.
Beyoncé’s “Texas Maintain ‘Em” retains at No. 6 after two weeks atop the Sizzling 100 earlier this month. It guidelines the multimetric Sizzling Nation Songs chart for a sixth week.
Zach Bryan’s “I Bear in mind Every thing,” that includes Kacey Musgraves, advances 9-7 on the Sizzling 100, after it led for per week upon its debut final September. It tops the multimetric Sizzling Rock & Different Songs and Sizzling Rock Songs charts for a thirtieth week every.
Rounding out the Sizzling 100’s prime 10, Tate McRae’s “Grasping” repeats at No. 8, after reaching No. 3, and Taylor Swift’s “Merciless Summer time” rebounds 13-10, following 4 nonconsecutive weeks at No. 1 starting final October.
Once more, for all chart information, you’ll be able to observe @billboard and @billboardcharts on Billboard’s social accounts, and all charts (dated March 30), together with the Sizzling 100 in its entirety, will refresh on Billboard.com tomorrow (March 26).