Signal as much as Roisin O’Connor’s free weekly publication Now Hear This for the within monitor on all issues musicGet our Now Hear This e-mail for freeDua Lipa noticed it coming. The fireworks and flags and pulsing purple lights, the youngsters on tiptoes scowling at unusual adults as they fling their arms within the air like cash. When she was a lady, the 28-year-old born to Albania-Kosovan mother and father, tells us halfway into her debut Glastonbury headline present, she wrote it down – “I’ll headline Glastonbury” – manifesting the sleeper hits and demanding acclaim and now-routine awards and No 1s that made this second inevitable.“I used to be actually particular,” she provides after a shy chortle. “I mentioned I needed to headline the Pyramid stage on a Friday night time, as a result of then I knew I may celebration for the following two days.” Her voice cracks as she describes the magic – “the facility” – of commanding this seemingly infinite crowd. “Little me would simply be beside herself proper now.”The rising Dua Lipa empire – now encompassing an performing profession, a guide membership, a burgeoning media platform and a podcast that includes giants of excessive and low tradition – exhibits no indicators of slowing, notably now she has purchased again the rights to her music catalogue. But behind the cultural dominance, Dua Lipa is as enigmatic as she is ubiquitous. Her arrestingly imprecise persona (alongside, maybe, together with her admirable help for geopolitical causes) has stopped her transcending bankable fame to turn out to be a real nation’s sweetheart.Which can be simply how she likes it. Greater than a straight pop spectacle, Lipa intersperses tonight’s set with nods to underground tradition. As a martial drum solo opens the present, leather-clad dancers fling themselves throughout a pair of steel bridges, like a SWAT workforce despatched undercover into Seventies New York’s meatpacking district. In a chain-lined leather-based gown of her personal, Lipa zips to middle stage as if propelled by the roller-skates favoured on her final area tour, barrelling right into a party-starting “Coaching Season”. Although the efficiency is tightly drilled – even the confetti deployment appears studied – ardour rings via in moments of cheeky theatricality. Halfway into the second verse, she flings again her head with revulsion on the inept exes she has made her muse.It’s no contradiction that many such boyfriends are little question on this area screaming alongside: the gospel of Dua holds that, whereas guys typically suck, that’s typically high quality, and type of humorous. Her mastery is in pairing these tales of woe and self-redemption with music that feels like unintentionally having one of the best night time of your life on the worst membership in your hometown.Dua Lipa acting on stage through the Glastonbury Pageant at Worthy Farm in Somerset (Yui Mok/PA) (PA Wire)Her celebration of other tradition is most readily obvious on “One Kiss” – given a home breakdown worthy of Glastonbury’s splendidly lurid queer nightlife hang-out, NYC Downlow – and “Fairly Please”, revitalised with deliciously soiled funk swing and a breakdancing interlude that squeezes homages to her home, disco and rave roots into two breathtaking minutes of helter-shelter beat switches.Between all this she finds time to introduce a comically low-key visitor look: not one in all her celeb buddies however an unassuming Kevin Parker – higher referred to as the Australian psych-rock darling Tame Impala – who appears each bit the slacker boyfriend introduced house to disenchanted mother and father after their beloved daughter’s hole 12 months. In honour of his contributions to her newest album, Radical Optimism, Parker mooches out in a T-shirt and denims for an endearingly clumsy duet of his track “The Much less I Know the Higher”.(Getty Pictures)Apart from the electrifying opener, new album cuts equivalent to “These Partitions“ and “Falling Endlessly” really feel like stodgy, nearly defensive inclusions – even nearer “Houdini“ can’t assist however really feel anticlimactic after a sensational one-two of “Bodily” and “Don’t Begin Now”. I can consider, even hope, that Dua Lipa will endure to headline Glastonbury once more, however it’s more durable to think about these songs surviving as setlist musts.“Guys, you’re making my goals come true,” she declares throughout “Be the One”, a cliche that, regardless of the dips in momentum, makes clear that Lipa understood the project: Glastonbury isn’t just one other present, simply one other pageant – it’s the second we’ve got been ready for, all day, all 12 months, maybe all our lives. The most effective headline units flip this right into a actuality, even among the many sceptical. Dua Lipa does one thing nearly as particular: by bearing out her childhood premonition, she makes us witnesses to her personal sweetest fantasy.